SIMENON SIMENON. LE PETIT DOCTEUR TRANSFORME
Le docteur/détective de Simenon, Jean Dollent, devient plus dur et plus faible.
SIMENON SIMENON. IL PICCOLO DOTTORE TRASFORMATO
Il medico/investigatore di Simenon, Jean Dollent, diventa più duro e più debole
In
 this sixth story from Simenon’s collection, The Corpse in the Kitchen 
Garden, the Little Doctor evolves in several different ways, all 
outlined after the summary below. 
This case involves a barehanded
 man stabbed to death, a bloody knife on the ground, and some blood 
splatter on one wall of an enclosed garden at a country mansion. It’s as
 though ‘the dead man dropped from the sky’ as the French title, Le mort
 tombe du ciel, emphasizes. The corpse of an obviously poor and 
emaciated old man is unidentifiable because he wears clothes stripped of
 labels and carries nothing but a note stating precisely the day and 
time of his death and a one-way train ticket to his final resting place.
 
Martine, the young woman who hired Dollent to investigate, 
thinks the man might be her father. However, she has never seen him 
because, when she was born, her mother died and her father ran away. She
 lived with her adoptive uncle Robert thereafter because her father 
Marcel ended up in a mental hospital in Africa, where a fire had 
consumed him a few years previously. Sensing Marcel may actually have 
survived, Martine suspects Robert lured him into the garden and killed 
him. 
Our sleuth runs into mysteries in bunches: a measuring tape,
 a line of stakes, and a freshly dug hole in the garden; a collection of
 stamps and receipts for money orders from all over the world; and 
aloofness, disrespect, and obstruction from Robert. Nevertheless, our 
hero plugs along and eventually deduces surprising but convincing 
explanations for each and every one of these mysteries. 
So, 
exactly what changes in the Little Doctor crop up in this tale? Dollent 
seems to be evolving under Simenon’s pen from a simple unselfish server 
of man to a complex self-aggrandizing egotist. 1) He becomes more 
aggressive as though his detective triumphs have nourished and 
strengthened his confidence. He unabashedly uses lies, flattery, 
bribery, and blackmail to accomplish his goals. 2) He becomes 
hypersensitive to the frustrations and criticisms he encounters and 
reacts by drinking even more than he did in that seemingly essential 
corollary to his detective role. 3) His self-serving pleasure in showing
 others up becomes more important than his more altruistic satisfaction 
in solving the case, the primary reward he had enjoyed in the first five
 cases. 
Simply put, in this tale Jean Dollent is no Jules 
Maigret. Curiously, at the same time, his housekeeper Anna, upon whom he
 depends so much, is not the Madame Maigret she seemed to be, given the 
way she chastises our doctor/detective for making money by solving 
crimes rather than caring for patients. 
David P Simmons 
 

 
 
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