SIMENON SIMENON. LE PETIT DOCTEUR: UNE FEMME A CRIE'
La troisième nouvelle dans laquelle Dollent ressemble de plus en plus à Maigret
SIMENON SIMENON. LE PETIT DOCTEUR: UNA DONNA HA GRIDATO
Il terzo racconto nel quale Dollent somiglia sempre più a Maigret
This
time, Simenon has his little doctor abandon his patients and his cocky
detective drive many miles away to fuel his investigative passion. Two
men and a woman in a car had forced the proprietor of a closed garage to
sell them gas in the middle of the night. As they drove off, the woman
screamed for help. We learn their vehicle had been ‘borrowed’ and
‘returned’ without its owner’s knowledge. Three weeks later, the
mysterious driver’s body turns up, casually lying out in the open on a
riverbank, a discovery that sends Dollent racing off to the crime scene.
Brazenly pretending to be a press photographer seeking news and, later
on, the medical examiner on the case, he inveigles his way deep into the
investigation, gathering clues as he goes. The dead man’s own gun is
the murder weapon. The fancy car he drives as a traveling salesman is
missing. Deducing the quickest way to get rid of an unwanted large
object, Dollent comes up with the missing car.
Lo and
behold, a second corpse appears, an unknown strangled man carefully
buried under stones on the same riverbank. Dollent reasons the third
person in the mysterious car, the woman who screamed, is still alive.
Since he has observed the first victim’s much younger wife and even
younger sister-in-law living and clashing together under the same roof
(à la Simenon), Dollent projects one must be the assassin, but which
one? Each offers a suspicious portrait of the salesman up to the point
he suddenly rushed away on a business call the night he was killed.
Learning the purported customer had subsequently mailed two letters to
the salesman questioning why he never arrived, the crafty
doctor/detective sends the same message to each woman at the house in
separate pink and green envelopes. After the next morning’s mail
delivery, Dollent smugly invites the police to witness the showdown he
has orchestrated. Yes, his creative double ploy exposes the killer, but
as he outlines his formulation of the why and how and who, a crucial
single mistake crushes his vanity. Still, we sense our hero will recover
to fight again.
Simenon here shows us how, in a similar
way to Maigret’s wife Louise, Dollent’s housekeeper Anna can predict his
behavior. Plus we see how both men depend on their women at home for
physical and moral sustenance. Plus we again see Maigret-like
consumption of alcohol: Dollent celebrates one day’s good work with four
Pernods and toasts his coming triumph with two calvados early the next
morning. Plus Simenon reveals that, Dollent is not infallible. He
acknowledges his errors, but we expect him, like Maigret, to become even
more dogged and determined in his work. There is, however, one
prominent difference: Maigret is confident and Dollent is cocky. Stay
tuned.
David P Simmons
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